Emily in Paris Season 5 Review (2025): Netflix’s “A”-rated comedy series “Emily in Paris Season 5” has returned exactly as it was promised. It is louder, glossier, and utterly unbothered by realism. Once again, Lily Collins’ Emily Cooper is able to pull viewers into a whirlwind of couture outfits and chaotic romances. This season doesn’t really aim for prestige television. Instead, season 5 of Emily in Paris is seen as leaning more towards escapism as what fans secretly (and not-so-secretly) crave: that is, vibes over logic.
Season 5 may not be the strongest chapter in the series, but it is undeniably enjoyable. Let’s discuss in more detail Emily in Paris Season 5 in this review.
- Premiere Date: December 181, 2025
- Streaming on: Netflix
- Episodes: 10
- Runtime: 31-38 Minutes
- Creator: Darren Star
- Stars: Lily Collins, Philippine Leroy-Beaulieu, Ashley Park, and others
Watch Emily in Paris Season 5 All Episodes
Emily in Paris Season 5 Story Overview
Season 4 of the show ended with a major shift: Emily was seen relocating to Rome to open a new Agence Grateau office and riding off into the sunset with Marcello. Season 5 is designed smartly, as it tries to build on that momentum, and it looks to present a “tale of two cities” structure.
In Rome, Emily tries to embrace a more romantic and free-spirited life that is filled with sun-soaked streets, Vespa rides, and a new relationship. Meanwhile, Paris continues to pull her back majorly due to the high-stakes marketing drama and unfinished emotional business.
Back home, Gabriel has finally earned his Michelin star. However, Gabriel soon realized that the success may have cost him Emily. The season thrives on this emotional distance, and it allows longing and regret to simmer.
Cast and Performances
Lily Collins as Emily Cooper
Lily Collins remains effortlessly charming. Emily is still chaotic, is seen as overly earnest, and is occasionally unbearable, but that’s the point. Collins understands her tasks, as she perfectly syncs with the tone of the show and plays Emily with sincerity that keeps her likeable, even when her decisions are questionable.
New Additions
Bryan Greenberg is a standout as a new American in Paris. Bryan brought chemistry and warmth to every scene he shared with Emily. Minnie Driver’s Princess Jane is pure camp perfection. She is absurd, comedic, and refreshingly self-aware.
Supporting Characters
Sylvie Grateau continues to be the show’s secret weapon. Her Season 5 arc is sharp, and she is very stylish and deeply satisfying through the show. Mindy’s storyline, however, takes a divisive turn because of her unexpected connection with Alfie, and it majorly feels forced and emotionally hollow.
Fashion and Visual Identity
If there’s one uncontested win this season, it’s the fashion. The contrast between Rome Emily and Paris Emily is inspired. Rome brings flowing silhouettes. It brings the bold colours and sensual freedom that feel very delightful to watch. Paris showcases its beauty as it delivers structure, tailoring, and power dressing.
Sylvie’s wardrobe alone deserves its own review. It is impeccable, intimidating, and iconic.
Highlights and Weaknesses
What Works
- Stunning fashion and visual storytelling
- Strong new cast additions
- Reduced reliance on the Emily-Gabriel loop
Where It Falters
- Overdeveloped Marcello business drama
- Alfie and Mindy’s mismatched storyline
- Familiar narrative beats
Personal Opinion
Season 5 isn’t revolutionary. But I feel Emily in Paris never needed to be revolutionary. There are some storylines that frustrate, but the overall experience of the show is very joyful, escapist, and endlessly bingeable. The show is well executed, and it will continue to thrive as viewers will get exactly what they expect and secretly want.
Final Verdict
Emily in Paris Season 5 gives us very colourful and chaotic comfort television. However, its narrative stumbles narratively but succeeds emotionally as it offers pure escapism wrapped in couture. You may roll your eyes, but you’ll keep watching.
And yes, watch out for Season 6; it will be amazing.
